‘The most lamentable comedy and cruel death’

First, the cruel death, i.e. my new favorite depressing poem:

Nobody heard him, the dead man,
But still he lay moaning:
I was much further out than you thought
And not waving but drowning.

Poor chap, he always loved larking
And now he’s dead
It must have been too cold for him his heart gave way,
They said.

Oh, no no no, it was too cold always
(Still the dead one lay moaning)
I was much too far out all my life
And not waving but drowning.

— Stevie Smith (1957)

And the most lamentable comedy: The Life and Opinions of Tristram Shandy, Gentleman, by my new hero, Laurence Sterne. My cheek muscles are sore from having grinned and/or laughed out loud through 150 pages (which isn’t v. far in, but Tristram himself hasn’t even been born yet, or rather, hasn’t gotten around to telling the story of his birth, though he has covered his conception, the death of poor Yorick, the wounding of Uncle Toby, hobby-horses, and whether it is possible to baptize a child before it has been born).

For in this long digression which I was accidentally led into, as in all my digressions (one only excepted) there is a master-stroke of digressive skill, the merit of which has all along, I fear, been overlooked by my reader [...]

The connection: these works are ‘imaginary gardens with real toads in them,’ which is what Marianne Moore says poetry should be.